Gareth Pugh Spring 2017 - Runway Review
September 17, 2016
Gareth Pugh based his spring collection on a series of 60 costumes he created for a sun-themed opera about a perverse tyrant, “Eliogabalo,” using golden triangles and black stripes to depict rays of light. Set at the Brewer Street Car Park on the eve of the opera’s opening night at Palais Garnier in Paris, the theme was, according to Pugh, “essentially about an empire eating itself—so it feels alarmingly relevant.”
The shapes were deconstructed and used to cover shoulders and bustiers in haphazard ways. Set to a soundtrack of furious drumming, the opening look was based on a black sun, which also referenced 20th-century artist Francis Bacon's portrait of Pope Innocent X. "In one way the sun is a symbol of creation and warmth – an explosion of power and life – but it can also represent tyrannical power and destruction," Pugh said.
Its cocooning form, gleaming with 3-D gold bullion in mosaic formations, was based on the pope’s gaping mouth in the painting, while flowing white and purple garments shown later on the catwalk were influenced by the colors of his robes. Structured silhouettes were gradually replaced by softer shapes—reminiscent of the opera's narrative, in which bureaucrats are overrun by the populous. To wit, gold shards embellished slim cotton pantsuits and leather dominatrix dresses. The sun and ray imagery returned at the end of the presentation, using a softer golden tone between black stripes.